As Drake approaches his 39th birthday, the Canadian rapper continues to dominate the music industry with a string of record-breaking achievements. His upcoming album, ICEMAN, slated for release before 2025, adds to a discography that has consistently set benchmarks for both sales and cultural influence. On October 24, coinciding with his birthday, the Recording Industry Association of America (RIAA) announced that Drake now holds the record for the most diamond-certified songs by any artist. This is a reflection of his enduring appeal. Diamond certification requires 10 million equivalent units sold. His newest additions include hits like “Passionfruit,” “The Motto” featuring Lil Wayne, “Nonstop,” “Headlines,” and “Nice For What.” In addition, Drake’s seminal album Take Care also earned diamond status. This brings his total to 15 diamond singles and 16 overall diamond-certified records. Previous chart-toppers such as “Best I Ever Had,” “God’s Plan,” and “SICKO MODE” with Travis Scott contributed to this unparalleled achievement. All of Drake’s new RIAA certifications, updated on his birthday: Take Care (Diamond) Views (9x Platinum) Nothing Was the Same (7x Platinum) If You’re Reading This It’s Too Late (5x Platinum) For All The Dogs (3x Platinum) Nonstop (Diamond) Passionfruit… pic.twitter.com/UCLy1GcDf7 — Kurrco (@Kurrco) October 24, 2025 Drake’s Multi-Platinum Reign Continues Drake’s commercial impact extends well beyond diamond certifications. Albums like Views have achieved nine-times platinum status. Nothing Was the Same reached seven-times platinum. Meanwhile, If You’re Reading This It’s Too Late earned five-times platinum. His most recent release, For All The Dogs, has already been certified three times platinum. His singles continue to perform strongly. Collaborations such as “Rich Flex” with 21 Savage reached five-times platinum. “Chicago Freestyle” with GIVĒON and “Rich Baby Daddy” with Sexyy Red and SZA have been certified five-times and three-times platinum, respectively. Furthermore, tracks like “Hours In Silence” and “Virginia Beach,” also with 21 Savage, each earned two-times platinum recognition. As excitement builds for ICEMAN, Drake’s milestone achievements highlight both his artistic growth and the loyalty of his fan base. Each record-breaking moment underscores his lasting influence. It sets the stage for what promises to be another defining chapter in his career.

Excitement is mounting around Drake’s forthcoming album, ICEMAN, fueled in part by updates from former football star Johnny Manziel. As Drake readies what will be his ninth studio release, Manziel has become an unexpected source of clues, teasing fans with a mix of cryptic commentary and playful posts. In August, Manziel first stoked the buzz, hinting that the album would arrive this fall. He suggested a potential window, saying, “Soon, probably around the end of October, maybe early November. With his birthday coming up, I’m planning to take him to a game this year. He’s going to Aggie Land.” The remark immediately sent social media into a frenzy, igniting speculation about the timing of the release. The anticipation intensified with a recent Instagram post from Manziel. Channeling Drake’s playful style, he wrote, “Went back to Tuscaloosa for the first time since 2012, hopped on a jet to South Beach and tried my best to burn the city down. Caught a flight down to the Bahamas because it’s ICEMAN time and the baccarat tables were calling my name.” He added, “Back to South Beach for my dog’s birthday, ended up at Booby Trap. It’s been a month for the books, and we still have nine days left.” Fans quickly dissected the post for clues about the album’s arrival. Fans Eye Halloween Drop for Drake’s ICEMAN Many now speculate that ICEMAN could drop around Halloween, aligning with the industry’s traditional Friday release schedule. Adding to the intrigue, Drake’s own birthday falls on October 24, also a Friday, raising expectations that the release might coincide with his celebrations. Drake’s name has recently appeared in other headlines as well. On the Big Facts podcast, Gucci Mane, who collaborated with Drake on the 2013 track “Both,” reflected on a past dispute. “I said some things I shouldn’t have. I had to reach out to him later to apologize,” Gucci said, praising Drake’s willingness to reconcile. The exchange highlighted the balance of rivalry and respect that often defines the music industry. With the final days of October approaching, all eyes remain on Drake. Whether Manziel’s posts are clues or playful hype, anticipation for ICEMAN is at a peak. As fans await the official announcement, one question dominates: when will Drake deliver his next chapter? It’s “ICEMAN time,” according to Johnny Manziel “Caught a flight down to the Bahamas because it’s Iceman time and the baccarat tables were calling my name” pic.twitter.com/0jV87vmVpf — Kurrco (@Kurrco) October 22, 2025

Since releasing “WHAM” in January, Lil Baby has left fans waiting for follow-up projects. The Atlanta rapper, usually prolific, has faced a turbulent year. A leaked jail conversation involving his close friend Young Thug drew Baby into unexpected controversy. This tested both his public image and private loyalties. Though his role was limited, the scrutiny strained their friendship. This especially occurred after Young Thug mentioned Baby’s contractual ties with Quality Control (QC). Lil Baby addressed some of this tension through his introspective track “Miss My Dogs.” He raps, “Wham, pick up the phone, yeah, talk to me, it’s Spider / Taught you everything you know ’bout this sht, we for lifers.”* Later, he cautions, “God told you in the Bible, the devil’ll knife ya / Rats already winnin’, don’t let this sht divide us.”* The song captures the emotional toll of loyalty and fame. This offers listeners a glimpse into the pressures behind his success. Career hurdles have compounded these personal challenges. In early September, several international dates from his “WHAM” tour were canceled. The highly anticipated mixtape The Leak$—expected to feature Young Thug, Playboi Carti, Veeze, and LUCKI—never materialized. Fans were left wondering whether these delays reflected retreat or recalibration. Nearly two months after missing the release of ‘The Leak$’, Lil Baby has cleared his Instagram profile and updated his profile picture. New music on the way? pic.twitter.com/98dG8dCe2e — Kurrco (@Kurrco) October 23, 2025 Signs of Renewal Now, there are hints of a pivot. According to Kurrco, Lil Baby has revamped his Instagram, removing past posts and updating his bio to read, “Dominique – The Beginning Of A New Chapter!” The profile features a biohazard symbol, signaling reinvention. By using his birth name, Dominique Armani Jones, Baby frames his forthcoming album as a personal project. Initially teased after “WHAM” and delayed multiple times, the album promises to explore more introspective themes than his previous releases. With these changes, Dominique appears poised to mark a defining moment.

In hip-hop, relationships can shift as quickly as the beat itself. Recent developments suggest Gucci Mane may be reconsidering previous attempts to reconcile with Nicki Minaj, who has continued to direct pointed comments at his wife, Keyshia Ka’Oir. Though Gucci once publicly apologized for past social media posts, ongoing online exchanges reveal that the reconciliation remains fragile. Gucci Mane first aired frustrations with peers, including Nicki Minaj, on Twitter in 2013. Years later, he extended a public olive branch, reflecting, “It was like a weight off my shoulders,” signaling relief from lingering tensions. Yet the calm proved temporary. As Gucci Mane focused on marriage and new projects, Nicki appears to have revived old disputes, this time targeting Keyshia Ka’Oir directly. Nicki dragged Gucci Mane’s wife for lying about getting stung by a bee #QueenRadio pic.twitter.com/tEHp3SE6gR — armani (@marnixample) October 23, 2025 Nicki Claps Back, Keyshia Explains Swelling Nicki Minaj recently criticized Keyshia, accusing her of borrowing elements of her style and persona. The verbal sparring escalated when Nicki addressed Keyshia’s appearance, which she attributed to an allergic reaction: “It was when she saw that the filler had stopped filling in that the liar got to doing what the liar is known to best do.” Her comments have added another layer to an already tense situation. In response, Keyshia Ka’Oir took to Instagram to explain the situation. “PS I had an allergic reaction & my face was swollen during the interview but I still wanted to do it. It’s better now! Thank you,” she wrote, aiming to set the record straight. View this post on Instagram A post shared by Keyshia Ka’oir Davis (@keyshiakaoir)

Iggy Azalea has once again found herself at the center of online speculation. Earlier this week, the rapper posted a brief, cryptic message on X that sent fans into a frenzy over her rumored connection with N3on—the streamer she’s recently appeared with in a series of viral livestreams. Their on-screen chemistry has stirred curiosity about whether there’s more to their collaboration than meets the eye. Her post read simply: “That didn’t last long [shrug emoji].” Azalea didn’t elaborate, but that didn’t stop followers from jumping to conclusions. Within hours, the internet was filled with theories—some playful, others convinced—suggesting the tweet hinted at a short-lived romance between the two. There’s been no confirmation from either side, but that hasn’t stopped fans from filling in the blanks. The artist seemed amused by the attention. In a follow-up tweet, she wrote, “Y’all have dirty minds [facepalm and crying emojis].” Whether meant as a playful jab or a sly denial, the comment only deepened the intrigue. For now, Azalea appears content to let the ambiguity linger—a move that has kept her name trending across social platforms. That didn’t last long — IGGY AZALEA (@IGGYAZALEA) October 22, 2025 Yall have dirty minds — IGGY AZALEA (@IGGYAZALEA) October 23, 2025 Azalea’s Take on Modern Dating In a recent livestream alongside N3on, Azalea opened up about her views on dating and relationships. Speaking candidly, she addressed what she sees as misconceptions about her personal life. “People often ask, ‘Why doesn’t she have a man? What’s wrong with her?’ I assure you, there’s nothing wrong with me,” she said. “The reality is, some of you have unrealistic expectations. That’s your issue, not mine.” The conversation soon turned to finances—a topic Azalea approached with her trademark bluntness. She joked about the costs of keeping pace with her success, saying, “Let’s keep it real: you need to bring in an additional $15 million just to keep up with my expenses. Is that fair?” Her words struck a balance between humor and honesty, underscoring how her achievements shape her expectations. Azalea also spoke about equality in long-term commitments. “If we were to buy a house or take on a mortgage together, I’d genuinely want it to be a 50/50 situation,” she said, adding that fairness and independence are central to how she views partnership. As the speculation continues, Azalea has yet to clarify whether her posts were about N3on or simply part of her online banter.

Bun B stopped by HOT 97 to talk to Nessa about his upcoming album Way Mo Trill, out November 7th. He opened up about working with Monaleo and LaRussell and how special they both are. Bun also brought the producer Cory Mo and they also discussed the legacy of UGK, including stories about Pimp C and how Bun kept going when Pimp was incarcerated. He also told stories on he and Pimp C met D’Angelo in studio and how they chose International Players Anthem. He reflected on the 20-year anniversary of his classic solo debut Trill and how his definition of success, legacy, and “Trill” itself has evolved. He also talked about his business moves, including Trill Burgers and building beyond music. Nessa asked about his longevity in the industry, how he keeps his marriage strong after 22 years, and the one thing he wants fans to take from this new album. Plus, Bun addressed Mannie Fresh’s comment that he was almost part of the Big Tymers and shared the advice that still grounds him decades into his career. Stream “Way Mo Trill” on November 7!

NBA YoungBoy’s Make America Slime Again tour arrived in New Orleans this week, delivering two high-energy shows at the Smoothie King Center. Fans packed the arena, buzzing with excitement for a night of music and spectacle. That anticipation, however, was briefly interrupted when chaos erupted at the venue’s entrance. This prompted a temporary lockdown. A crowd of ticketless attendees attempted to push into the venue, forcing security to intervene. Mike Hoss, media relations manager for the Smoothie King Center and Legends Global, provided clarity in a statement to NOLA.com: “We can confirm that non-ticketed patrons attempted to enter the Smoothie King Center after the headline artist had taken the stage,” he said. “It is crucial to note that all individuals involved had already undergone our enhanced security screening. This ensured no breach of the venue’s perimeters. The matter was swiftly rectified by our staff and the New Orleans Police Department, allowing the concert to proceed without further disruption.” Tour Highlights and Artist Lineup Since launching in September, the Make America Slime Again tour has featured supporting acts including DeeBaby, K3, Lil Dump, NoCap, Offset, and Toosii. The tour is set to conclude on November 12 at Climate Pledge Arena in Seattle. It promises a finale as dynamic as the opening shows. During the New Orleans stop, YoungBoy’s manager, Alex Junnier, raised concerns on Instagram regarding local law enforcement. He suggested that NOPD Superintendent Anne Kirkpatrick had issued a directive affecting YoungBoy’s ability to perform in Louisiana. Though the post has since been removed, it sparked conversation among fans and industry observers. Backstage, popular streamer Adin Ross and collaborator Cuffem attempted to feature YoungBoy in a live streaming segment. However, the rapper declined. A team member confirmed that YoungBoy was not interested. Ross and Cuffem later posted on X, signaling understanding and highlighting the professional respect between the artists. View this post on Instagram A post shared by XXL (@xxl)

Singer and songwriter Lizzo has recently become the center of a legal dispute after teasing an unreleased track on social media. The song playfully references Sydney Sweeney’s “good jeans” campaign for American Eagle. Lizzo raps, “Fat a*, pretty face with the titties / Btch I got good genes like I’m Sydney.” The clip quickly captured attention, showcasing her knack for weaving pop culture into her music. The excitement surrounding the preview has been complicated by a lawsuit filed on October 21 by GRC Trust. The claim alleges that Lizzo used an unlicensed sample from Sam Dees’s 1970s track “Win or Lose (We Tried).” Lizzo’s team has countered that the song has not been commercially released or monetized. They also state that discussions regarding its distribution remain ongoing. Artistic Expression and Copyright Debate The case comes after Lizzo expressed frustration with copyright regulations during a conversation on the podcast Million Dollaz Worth Of Game. She highlighted how early hip-hop artists relied on sampling creatively. Lizzo stated, “The first time people started sampling was who? It was rappers in the ’80s and ’90s.” Her comments underscore the historical significance of sampling as a tool for artistic innovation. Lizzo elaborated on the cultural implications, adding, “I just feel like the theft of it all, putting theft on Black culture, that’s the part that kind of turns me off… Sampling is a Black art that bred hip-hop. Hip-hop was born from sampling. And now sampling is synonymous with theft.” Her remarks contribute to an ongoing dialogue about music, creativity, and intellectual property. They highlight tensions between artistic freedom and copyright enforcement.

Megan Thee Stallion is facing a lawsuit from Emilio Garcia, a former tour videographer, who claims she fostered a hostile work environment. Garcia alleges that during the European leg of her tour, he was pressured to witness sexual activity involving the artist. Megan’s attorneys have pushed back, demanding evidence to support these claims, which have remained unverified for over a year. Alex Spiro, her lawyer, emphasized in a motion reported by Billboard: “The plaintiff continues to lack any evidentiary backing for his sensationalized and unfounded accusations… He can no longer rely on assumptions of truth for allegations disconnected from factual basis.” The filing signals the team’s insistence that Garcia’s allegations are unsubstantiated. Garcia contends that he lost his job as a result of the alleged incident, while Megan maintains her innocence. The legal motion suggests that any purported misconduct is baseless and points to Garcia’s derogatory messages as a possible factor in his termination rather than valid workplace complaints. Involvement of Roc Nation The dispute extends beyond Megan personally, touching Roc Nation, the management company founded by Jay-Z. Garcia has filed additional lawsuits against the company, prompting Roc Nation to seek dismissal on grounds that the legal action places undue financial and operational strain on the organization. Ron Zambrano, Garcia’s attorney, commented on the case, stating, “This is typical behavior from celebrities when faced with lawsuits. They avoid settlement and resolution. Instead of reflecting on their own responsibility towards employees affected by their actions, they spend considerable sums on public relations and legal teams to safeguard their image.”

In the early 2010s, Chris Brown and Kevin McCall seemed inseparable—two rising forces whose creative chemistry produced hits like “Deuces.” Yet what began as a promising collaboration gradually dissolved into public friction and lingering disputes over money and credit. That tension has resurfaced in recent days. Brown appeared to reference McCall’s financial struggles in an Instagram Story shortly after a clip from McCall’s appearance on the Back On Figg podcast went viral. During the interview, McCall spoke candidly about his financial hardships, revealing that he relies on an EBT card and expressing frustration toward Brown. Holding the card up to the camera, he asked, “Why do I have an EBT card?” and followed with, “Can I get $25K for those four songs I owe you?” His tone wavered between humor and exhaustion, offering a raw glimpse into the reality of an artist facing difficult times. Brown’s Feud and Loyalty Play Out Amid Tour Brown later replied on social media with a tone as pointed as ever. Against a black background, he wrote: “Remember this: you can’t walk across a burnt bridge. And what’s funnier than a troll? A BROKE ONE.” The remark reignited speculation about unresolved royalty disputes between the two that trace back nearly a decade, reflecting a rift that never quite healed. In the midst of the exchange, fellow artist Young Thug weighed in—this time with an offer of support. “Kevin McCall hit me my n*a; I’ll give u the 25k u need. I know CB would give it too; he’s a real one. N**s are busy sometimes brada,” he wrote on X, formerly Twitter. His message underscored the complex bonds within hip-hop—where rivalries, loyalty, and empathy often intertwine in unpredictable ways. Despite the resurfaced drama, Brown’s attention remains fixed on his Breezy Bowl XX Tour, which kicked off in Europe this summer before heading across North America. Sharing the stage with Summer Walker, Bryson Tiller, and Jhené Aiko, Brown closed the tour in Seattle with a high-energy performance, reaffirming his continued presence as one of R&B’s most enduring figures.