GloRilla is charting a new path, revealing plans to explore R&B with a forthcoming album. On Wednesday, she shared her vision on Twitter, confirming her commitment to a project that highlights a different side of her artistry. While the release date remains undisclosed, fans speculate it could follow her highly anticipated debut, Glorious, set for 2024. The rapper has previously shown her versatility through collaborations across genres, including Kehlani on “Xmas Time,” T-Pain on “I Luv Her,” and FLO on “In My Bag.” Her recent work with gospel icons Kirk Franklin and Maverick City Music on the soulful track “Rain Down On Me” demonstrates her ability to blend styles seamlessly. That song earned her a BET Award, marking her first win in the Best Inspirational Award category. GloRilla told XXL that she has taken deliberate time to refine her music, emphasizing the importance of crafting her next album to her standards. “I have a lot of good music, but I want it to be perfected to where I want it,” she said, reflecting a meticulous approach to her creative process. & I will be doing a rnb album — GloRilla (@GloTheofficial) November 19, 2025 GloRilla’s Grammy Nod Shows Her Genre Power Her influence is also evident in the awards circuit. GloRilla recently earned three nominations for the 2026 Grammy Awards: Best Rap Album for Glorious and Best Rap Song for both “TGIF” and “Sticky,” the latter featuring Tyler, the Creator, Sexyy Red, and Lil Wayne. Fans will be watching closely when the 68th Annual Grammy Awards take place on February 1, 2026, at the Crypto.com Arena. As GloRilla pushes into R&B while maintaining her presence in rap, she solidifies her reputation as a versatile force in music. Her upcoming projects and accolades highlight an artist unafraid to evolve, bridging genres while staying true to her distinctive voice.

Megan Thee Stallion entered a major new phase of her legal fight on Tuesday, November 18th, as a federal jury in Miami began hearing her defamation case against online commentator Milagro Cooper. What brought the two women to court is Megan’s claim that Cooper used her platform to attack her character, dismiss her testimony, and stir up hostility toward her after she identified Tory Lanez as the person who shot her in 2020. Lanez was later convicted of the crime, and Megan is now asking the court to hold Cooper responsible for what she describes as intentional and damaging conduct. Megan Thee Stallion walks into the Miami federal courthouse for the second day of trial in her defamation lawsuit against an online commentator. Defendant Milagro Cooper continues testifying this morning. I’m here at the courthouse. pic.twitter.com/oMXzFZyJK5 — Meghann Cuniff (@meghanncuniff) November 18, 2025 The lawsuit includes three central claims: defamation, intentional infliction of emotional distress, and the promotion of an altered sexual depiction. This last count relies on Florida’s new 2024 law addressing the distribution of AI created sexual imagery. Megan says Cooper liked a deepfake video of her on X and then posted “Go to my likes,” which Megan’s team argues encouraged followers to watch and spread the altered clip. She says Cooper repeated similar instructions on Stationhead, signaling purposeful direction rather than casual online engagement. Before the trial began, attorneys questioned potential jurors about their knowledge of Lanez’s case, their views of Megan, and whether they knew anything about his conviction. After nine jurors were selected, they were told they would see deposition footage from Lanez and commentary from influencers such as Adin Ross and DJ Akademiks, both of whom have talked about the case online. Cooper became the first witness to testify. On the stand, she admitted she pointed her audience toward the explicit AI video, but argued that the clip was already circulating and that viewers were asking about it. She insisted she covered the story on her own terms, though she acknowledged that she hoped Lanez might eventually sit down with her for an exclusive interview. Judge Cecilia Altonaga decided earlier this year that Cooper’s attempt to dismiss the lawsuit did not meet legal standards, which cleared the way for this trial. Proceedings are expected to last through next Wednesday, and jurors may return after Thanksgiving if more time is required.

Former NBA player Patrick Beverley is facing serious legal challenges following his arrest in Texas on felony family assault charges last Friday. The allegations have drawn widespread attention given their severity. According to a probable cause affidavit obtained by media outlets, Beverley is accused of physically assaulting his sister during a family dispute. The affidavit describes a troubling sequence of events in which Beverley allegedly choked his sister, lifting her off the ground and squeezing her neck until she feared for her life. It also claims he slammed her against walls and struck her eye, intensifying the confrontation. He allegedly threatened her life during the incident. These allegations have left fans and observers alarmed, highlighting the gravity of the situation. Arrest and Legal Response After his arrest, Beverley was processed at the Fort Bend County Jail, with bail set at $40,000. His attorney, Letitia Quinones-Hollins, released a statement addressing the circumstances. She emphasized Beverley’s previously clean criminal record. The attorney framed the incident as rooted in concern for his younger sister, a minor. “The events leading to this arrest have been misrepresented,” Quinones-Hollins said. She expressed confidence that the facts will emerge clearly in court. Beverley, who most recently played for the Milwaukee Bucks in 2024, has had a notable NBA career. His career includes key stints with the Houston Rockets and Los Angeles Clippers after being drafted in 2009. Known for his defensive intensity and leadership on the court, his professional accomplishments now stand in stark contrast to the legal challenges he faces.

Drake may have reinvented album rollouts once again, but the moment that has everyone glued to the screen is not the icy warehouse, not the cinematic shots, and not even the Pinocchio villain. It is the unscripted, heated moment when a random fan tried Drake during his live stream… and Drake lit him up in real time. During the first episode of Iceman, viewers slowly realized they were watching an actual live broadcast, not a prerecorded visual. Fans in Toronto were able to track his ice truck and run up to him in the streets. Most were screaming his name, but one person decided to go viral by shouting “you’re a bitch.” Drake did not hesitate. He instantly snapped back, “So what then big dog? Don’t look away now, pussy. Don’t look away now. Don’t get shy now. We’ll fold that up right now.” When asked about the moment with Complex, he said it was his favorite unexpected part of the rollout. “Probably when this random tall white guy said I was a ‘bitch’ when I was driving and then I just naturally turned up mid stream,” he explained. “I wouldn’t even say I broke character cause that’s some iceman shit.” He added with an LOL, “He started moving quick after that. No more talking.” This unpredictable energy is the heartbeat of the Iceman series. Drake says he was tired of “the redundancy” of old school album cycles and wanted something risky. Live streaming let him mix music premieres, narrative storytelling, and chaotic real world interactions. Each episode pushes the format further, with multi camera setups, drones, nighttime chases through different cities, and fans popping up out of nowhere. Drake summed it up simply: “The game is extremely calm seas right now.” And in true Drake fashion, he chose to stir up the waves himself.

Over the past year, a quiet strain between Drake and Serena Williams has reentered the spotlight, revived by a series of subtle public moments. The speculation began after Williams joined Kendrick Lamar during the Super Bowl Halftime Show—an appearance that some observers read as a pointed gesture. Drake’s subsequent activity online, particularly a few well-timed social media interactions, suggested he may have taken notice. The latest spark came from an Instagram post in which Drake shared photos of himself and rapper Sexyy Red on a tennis court. He captioned it, “I said tennis lesson she said where’s the bracelet or the necklace.” When a commenter added, “Serena Williams upgrade,” Drake quietly liked the remark, injecting new life into the ongoing narrative. Williams later clarified her position, pushing back against the idea that she had taken aim at him. In an interview with Time, she expressed her longtime regard for the Toronto artist. “I would never do that. It’s unfortunate that anyone would think so. I’ve known him for many years and have never harbored negative sentiments toward him,” she said, distancing herself from the rumor mill. View this post on Instagram Drake Builds Toward the Release of Iceman While the conversation around their dynamic continues to unfold, Drake remains deep in the rollout for his upcoming album, Iceman. The project is already gathering momentum thanks to its opening trio of singles: “What Did I Miss?”, “Which One” featuring Central Cee, and “Dog House” with Yeat and Julia Wolf. To heighten anticipation, Drake has been hosting a series of interactive livestreams that bring fans directly into the creative hype cycle. He described the experience to Complex as both energizing and revealing. “The feedback from my fans has been incredible. Engaging with them during these sessions allows me to capture their reactions and invitations for participation, enhancing the overall experience,” he said. He added that concluding each livestream in a public setting has shaped the tone of the rollout. “It’s fascinating to witness fans theorize and spin narratives around my music. The live interactions foster a sense of community,” he explained. As Iceman approaches, the conversation surrounding Drake and Williams adds a layer of intrigue to a moment already crowded with attention. But the momentum behind the album suggests the music—rather than the back-and-forth—may soon reclaim center stage.

Kanye West is preparing for a major return to the stage with two consecutive performances at Mexico City’s Monumental Plaza de Toros on January 30 and 31, 2024. Tickets for the first night went on sale November 18 and were gone almost immediately, prompting the addition of a second show. Seats for the January 31 date are still available, drawing fans eager to see West in one of the city’s most storied venues. His Mexico appearances follow scheduled stops in Johannesburg and São Paulo, part of a wider slate of international performances. The Brazil date has already raised concerns among officials, who have warned that including his track “Heil Hitler” in the setlist could expose him to prosecution under local laws that prohibit pro-Nazi expression. The advisory has placed fresh attention on what West chooses to perform as he moves across global stages. Parallel to these upcoming shows, West has been engaging in a public effort to reckon with past statements and rebuild relationships. In a recent meeting with Rabbi Yoshiyahu Yosef Pinto, he addressed earlier antisemitic remarks and expressed regret for the harm they caused. “I feel really blessed to sit here and take accountability,” West said in a video of their discussion, noting that the challenges of bipolar disorder often distorted his sense of the consequences of his actions. West expanded on that idea with a metaphor that captured his shift in thinking. “If you left the house and your kid went and messed up the kitchen and messed up the garage and messed up the living room,” he said, “then when you get back, it’s your responsibility because that’s your job.” The moment marked one of his clearest attempts in recent years to confront the fallout of his behavior as he steps back into the international spotlight.

Ice Spice is stepping into a new lane this winter as she officially joins the world of animation. Nearly three years after she released her hit “Bikini Bottom,” the rapper is now part of The SpongeBob Movie Search for SquarePants. The sequel arrives in theaters on December 19 through Paramount Pictures, and fans just got their first look at her character. Billboard shared an exclusive preview on Monday, November 17th, revealing an animated version of Ice Spice with her trademark bright orange curls. In the clip, she delivers a confident warning in her Bronx accent, saying, “Don’t make me call security.” For Ice Spice, being included in a SpongeBob project feels like something she spoke into existence long before it happened. She explained that she truly believes she “manifested” this moment. In a behind the scenes featurette for the film directed by Derek Drymon, she opened up about how different the experience was for her. “I think I manifested this,” she said. “It was a challenge, but it was really fun, new and different. I never did anything like this.” She is joining a cast filled with familiar names including Regina Hall, Sherry Cola, Arturo Castro and George Lopez. Along with voicing a character, Ice Spice also created an original song for the soundtrack. Last week, she released “Big Guy,” a playful and family friendly track produced by her longtime collaborator RIOTUSA. She shared how meaningful the moment is, saying, “Being part of the SpongeBob soundtrack is such a full circle moment for me. It’s crazy to see my music in a movie that’s been part of so many people’s childhoods, including mine.” Ice Spice already has more acting lined up. In August she appeared in Spike Lee’s film Highest 2 Lowest with Denzel Washington and A$AP Rocky, marking her official entrance into the movie world and expanding her reach beyond music.

Since his incarceration, Fetty Wap has largely been absent from the hip-hop scene. Only occasional family photos and messages calling for his release keep fans connected. Known as one of the defining voices of 2010s hip-hop, Fetty’s trajectory shifted sharply following a drug trafficking conviction. This resulted in a six-year sentence, marking a sobering pause in his career. New developments offer hope for the 34-year-old artist. Us Weekly reports that Fetty Wap’s release has been moved up to December 8, 2026. This means he could be reunited with family just ahead of the holiday season. Previously, his release was scheduled for March 2027, with a minor adjustment to January 8. The court has not disclosed why the date changed again, but the news has sparked excitement. Supporters are eager for his return. Currently, Fetty is serving time at FCI Sandstone in Minnesota, a low-security facility. After release, he will enter a five-year period of supervised probation. While some had hoped for an earlier date, this adjustment signals meaningful progress toward his return to freedom. Fetty Wap’s Fans and Family Rally Ahead of Release Fetty Wap’s family has been vocal in advocating for a reconsideration of his sentence. His sister, Divinity Maxwell-Butts, spoke out on social media earlier this year. She emphasized his accountability and the nonviolent nature of his offense. “He has taken responsibility for his actions and served a substantial part of his sentence for a nonviolent crime,” she wrote. She urged for mercy and highlighted the importance of second chances. Her campaign, including a hashtag initiative for his pardon, reflects the support of many. They hope to see him reunited with loved ones. Even behind bars, Fetty Wap’s influence on the genre remains strong. Fans continue to celebrate his contributions, recalling the energy and creativity he brought to the music scene. Occasional updates and prison photos have reinforced the bond between the artist and his audience. These keep his legacy alive while he serves his sentence. As the holiday season nears, the updated release date offers a sense of hope and renewal. Fetty Wap’s story is a reminder that even amid incarceration, the possibility for redemption remains very real. A fresh chapter is possible.

Tory Lanez is facing new legal consequences after a federal judge ruled that he obstructed Megan Thee Stallion’s efforts to depose him in her defamation and cyberstalking lawsuit against YouTube personality Milagro Gramz. Lanez, whose real name is Daystar Peterson, was held in contempt of court after refusing to answer basic, foundational questions during his third jailhouse deposition. As a result, U.S. Magistrate Judge Lisette M. Reid ordered him to pay twenty thousand dollars to Megan’s legal team “as a fine for his obstruction of Plaintiff’s multiple attempts to depose him.” Her ruling, filed Sunday, also sanctioned Peterson’s attorney, Crystal Morgan. The contempt ruling came just as jury selection began Monday in Megan’s lawsuit against Gramz, whose legal name is Milagro Cooper. According to the judge, Peterson’s behavior at Friday’s deposition was openly defiant from the start. She wrote that he began the session by asking what would happen if he refused to answer questions, and after being warned he could be fined, he allegedly said, “Whatever the fines are, I’ll pay them. I’m a millionaire. I don’t care.” Judge Reid added that at one point Peterson “stormed out of the room” and accused Megan’s lawyer of lying, telling him to “calm down.” Peterson repeatedly refused to answer the core questions Megan’s legal team needed for trial. He declined to explain “how he came to learn of or met” Gramz and would not say whether he ever communicated with her through direct messages, texts or Instagram. Because of this obstruction, Judge Reid recommended that jurors be explicitly told that he was properly questioned and refused to respond before abruptly ending the deposition. This is not the first time Peterson has been penalized for uncooperative behavior. He was previously ordered to pay Megan’s legal fees for acting combative and pretending not to know basic facts during an April deposition. That session was the first time he had been questioned under oath since being accused of shooting Megan with a semi-automatic firearm in Los Angeles. Peterson is currently serving a ten-year sentence for that assault. Megan sought the latest deposition as part of her case, claiming that Cooper spread “vicious and hateful rumors” while acting as Peterson’s “paid surrogate.”

During a brief exchange with reporters, Donald Trump chose unusually cautious phrasing when recalling a 2022 dinner with Kanye West. He referred to him only as “somebody” before eventually naming him. His response came as journalists pressed him about Tucker Carlson’s recent interview with Nick Fuentes. This renewed attention to Trump’s past encounters with the far-right commentator. Trump revisited the Mar-a-Lago dinner with characteristic brevity. “I didn’t know he was coming, and he was with, as you know, somebody. Kanye. Kanye asked if he could have dinner, and he brought Nick,” he said. The comments, published by TMZ, framed the meeting as an unexpected drop-in. It was not a planned gathering, a distinction Trump emphasized as political scrutiny intensified. Asked about Carlson’s decision to interview Fuentes, Trump largely shrugged it off. “We’ve had some great interviews with Tucker Carlson, but you can’t tell him who to interview,” he said. “If he wants to interview Nick Fuentes — I don’t know much about him, but if that’s what he wants to do, let him. Ultimately, people have to decide.” The response contrasted sharply with condemnation from lawmakers. This included Senate Minority Leader Charles E. Schumer, who called the interview “appalling” on X. Kanye West’s Shifting Public Stance Kanye West’s earlier ties to Fuentes loomed large during his brief presidential bid. It was a time marked by a series of antisemitic remarks that drew widespread backlash. Recently, however, West has begun attempting to repair those fractures. Earlier this month, he met with Rabbi Yoshiyahu Yosef Pinto in what he described as an effort to take responsibility for past behavior. “I was dealing with various issues, including bipolar disorder, and I often neglected the impact of my actions on those around me,” West said in a video of their conversation. His recent outreach suggests a desire to rebuild relationships and reposition himself after years of controversy. However, the extent to which his efforts resonate—either politically or culturally—remains uncertain.